GISELLE MIKHAILOVSKY BALLET
November 14, 2014
The Mikhailovsky Ballet from St Petersburg, Russia is dancing a two week run at the David Koch Theatre in Lincoln Center. They begin with the classic two act ballet “Giselle.” As many ballets are, “Giselle,” is a romantic tragedy, with a delicate balance between reaction and over-reaction.
In Wednesday’s performance Angelina Vorontsova danced the title role. From the first moment she dips the tip of her pointe show on to the stage, she plays innocencent but its sincere not forced. Her gestures are authentic, her eyes wide and full of emotion. As the Count (Albrecht in most versions), danced by Ivan Vasiliev, professes his love, she is passionate in her response but tentative. As the ballet carries on and it becomes clear the pairing of the two principals is a little off in connection, Vorontsova manages to maintain a stoicism that saves her from becoming the overacted Giselle.
Vasiliev, is a fine partner and an excellent jumper. Perhaps his smaller stature distracts from the princely element one usually looks for in a count. His expressions in Act 1, lighten up the over used gestures, but at times turn comical which sullies the storyline.
Intricate woodland sets cover the Koch stage. In Act II a piece of a tree covers the Queen of the Willis, danced by the fiercly dynamic Ekaterina Borchenko. As it rises, the rest of the ensemble emerges creating the white dreamy sequence that has become historic. Borchenko plays her Queen part feminist, part slave driver. Each movement is direct and precise, and the corps of Willis follow suit behind her.
The production on a whole is quite lovely, with many fine moments from the principal dancers, however it seems to lack a fluidity in storyline and presentation. Sequencing at times felt choppy when it should have been delicate and sincere. In the final moments as the Count dances for his life, Vasiliev literally jumps until his legs collapse underneath him. An aspect that pertains to the group, that even if all the pieces don’t align quite right, they give it their all and dance to the death.
EYE ON THE ARTS, NY -- Bailey Moon