February 4, 2018
A brightness born of youthfulness and hope floated over Peter Walker’s premiere “dance odyssey” by Peter Walker. Drawing in a NYC Ballet creative team, the cheery turquoise blue and lavender leotard and tights by Marc Happel were complimented by the equally long-term company lighting designer Marc Happel.
Simple in approach, but satisfying in delivery, the ring leader Tyler Peck whipped her legs in and out of perky struts, spinning and stopping on a dime -- and doing it all in musical stride. Zacahary Catazaro gamely supported the self-sufficient Peck and Adrian Danchig-Waring was a comparably game partner to Ashley Laracey elegantly embracing the lyrical, romantic role.
Soon eight dancers stretched across the stage and coupled up. At times the women’s’ legs hooked-up under men’s’ thighs tango style only to break apart and clump into a humorous body sculpture suggesting a multi headed, armed and legged Southeast Asian deity.
More wit was on display in the jokey duet between Devin Alberda and Anthony Huxley when the talented men nodded, and teased each other. Like magnets, they moved towards and away from each other, even sliding backwards in a cool moonwalk, knowingly nodding at one another.
In the final moments, Laracey—dressed in a filmy grey dress- lingered inside a duet of warmth and pleasure with Danchig-Waring.
What a well-tuned work from an up-and coming young choreographer. And again, let’s remember that this remarkable stable of young choreographers coming out of NYC Ballet for over 18 years are the product of the NYCB New York Choreographic Institute established by Peter Martins and funded by Irene Diamond. Thank you.
EYE ON THE ARTS, NY -- Celia Ipiotis